Friday, January 28, 2011

Does Dark Brown Mucus Discharge Mean



I told you, eh, a number of times since 2005: communicating vessels (+ = Laureli - RLR, for example) and not want to give the systematic or coercion - we both live ...

Monday, January 24, 2011

Boxing Calisthenics Routine

Moving F/15 - Denise Ogilvie

Move / rearrange: Back on the logic of classification of records with the example of the series F15 "Hospices and rescue"


A trial run, images of a research problem between
storage and classification presented Oct. 25.






Moving programmed much of the funds of the nineteenth century helps to allocate resources in material and human resources. On this occasion, the questioning of modes of entry and rankings sets of documents that constitute the series needed to plan and carry out the necessary refurbishment. Indeed, in the example of the series F15 "Hospices and rescue, packaging equipment was inadequate. The bundles were packed at the time of disbursement and then repackaged few decades later in cartons greatly undersized. What makes the consultation documents problematic. The documents are huddled in their possession, they resume their actual size during their consultation, once removed. Their consultation has changed their physical form so that the box that contained no longer usable.
The 4000 cards had to be replaced. It was therefore necessary to compile a list of size formats suitable for various sizes boxes of documents previously approved.
To establish these lists, it was necessary to identify types of documentaries to establish a number of standardized sizes of boxes that can fit the whole document. For that, I made non-random surveys. These surveys led me to explore systematically. For that, I opened the cartons guided by observation subsets described by the inventory. This series of concrete observations between cartons inventories and to produce a typology of documentary formats allowed me to identify the difficulties of interpreting literature.
Both the experience of physical reconditioning and enrichment of the inventory have allowed me to come back with another look at the questions that had already arisen from a reading of the inventory. Within apparently coherent sets, I could measure the likelihood of gaps and rearrangements. In other words I had to face the lack of information on conditions of production of the records and their transmission conditions to test the mismatch between the content descriptions of groups of items and discontinuity of the fund. These operations
material led me to wonder not only about the size of the boxes but also on the class logic and description logics in the context of a revision of the inventory. Because the question of classification and storage space is not transparent. The inventory is the result of incremental steps now saving information on criteria become invisible. These estates are not always inclusive.

The only contention of this short film is to explore a means of communication and information is the video light. For this we use a camcorder Pocket public. The interest is to document our land, exposing them to better reflect.

Sunday, January 23, 2011

Itchy Legs After Pedicure

Synthesis midterm

The situation

In a round of institutional collections around the scientists and their practices mirror, two day workshops have already taken place. Science bundles National Archives and National Museum of Natural History in October and Sort / Ranger: dialectic of order and disorder in the scientific collections s National Museum of Archaeology. Three more are coming in the first half of 2011.

This initial step and prerequisite for any larger project allows us to formulate our questions about the role of collections and archives in scientific work. We recall here the ins and outs. This action plan summarizes the actions of everyone. His ambition is just align our thinking for an action plan.

The removal and redevelopment past and future (ATP, Museum of Man, National Archives, Herbarium, Paleontology, MAN) note that deposits are fragile and collections more. While their story is not entirely written, that their operation is still ongoing, organization and integrity of archives and artifacts are challenged at the risk of upsetting a fragile balance. Indeed, funds and collections do not accumulate, but are integrated through a process of "layering" dynamic. We must here remember that any scientific collection has its own history. Since a collection is a set that comes into contact with each of its components (the parts themselves, documentation, collectors, strategy of "gathering", etc..) Grasp the logic of storage and organization since its origin constitution is part of his understanding, so its use. Skip production conditions Historic Collections denies the specificity Collection and erase some of its scientific interest. This ignorance, often due to lack of resources, or practice and the development of the same collection, jeopardizes the full use of the fund collection. That is what, ultimately obscures and confuses the reading of the internal systems of collection, the false diagnoses on the relevance of their organization and sometimes leads to sweeping reforms. What to do in broad strokes a story collections over the past two centuries, we can only note that if a museum has, it can also destroy.

General approach:

1. Clarifying the relationship of research work with the funds and collections.

This is question the practice of setting up and operating collections and archives, to the extent they are material to think with and through them. How scientific work is organized with the collections and archives? There is often a lack of reflexivity and a deletion of the material dimension of work that contributes to scientific production, however we will try to fill.

Objectification of our respective practices related to collections and archives can switch from a registry of procedures (know-how) to register declarative (telling). In speaking, the discourse is constructed in this way, the experience becomes knowledge in enabling it into words. Thus, in explaining the implicit, our experiments set speeches are exchanged through these exchanges and retrace our steps. To this end, the video tool described in our actions that call a second time to comment and expose them to our working group.

2. Enter which falls in the funds and collections.

Literally "dissect", drawing on concrete examples, how organized stages of processing equipment and intellectual reserves of funds and collections, based on (or not) of work TODAY 'hui but also the very history of the collections.

  • Explore the tension between classifying and storing on multiple grounds (archive, library, science museum)
  • Addressing the disjunction between archives and collections

- > This is to reconstruct an administration of things, practices and actions raised in the classification logic and materiality / physical aspects of storage.

For this, we must examine the "intermediaries" that define the key between systems and Ranger Sort:

  • Indexing collections of funds and inventory, file, directory, catalog, label
  • Supports hardware: cabinet, window, drawer, box, bay, bin, carton, bundle, file
  • Provide an overview of the scientific and cultural redevelopment of major scientific and historical collections from the National Archives, MNHN, the MAN, the HPI and possibly the Museum of Man.

From these initial questions about the collections, funding and research, we would have appraised systems (some already existing) that would connect in a kind of "meta-network" data we produce all and that overlapping, help restore meaning (or the original meaning) to the various "collections" whatever their respective natures.

One goal would be in a future yet to be determined to build a relational database, locating in time and space people and objects. This meta-tool in the form of a geographic information system, and historical prosopographic meet our needs identification in the current state of tools remain unanswered. We would have to draw it in the context of a multiyear research project of type ANR.


Comments are open and expected.

Does A Hernia Make Ur Testicles Hurt

(1987).

If a book is to know about Sergio Leone, this is it.

Simsolo Christmas is one of the first serious critics to look at the work of Italian westerner in a now famous article in The Journal of Cinema Image and Sound , No. 275 of September 1973. My Name is Nobody, whose shooting ends only, is now in post production.




Leone landmark article Simsolo and the two men become friends, even weave of family relationships. Sergio Leone loves Paris and often drags chip market, as he explains on French television.

Conversations with Sergio Leone comes from a series of interviews current recorded 1986-1987 (?), and released by Film Stock in June 1987. We now know that Sergio Leone tells a lot of tall tales to his interlocutor (illegal exit and summer A Fistful of Dollars operated in fact quite normal, after the censorship 01/09/1964 at SuperCinéma Florence; self-attribution of some of the best sequences My Name is Nobody , created by Tonino Valerii, New Mexico, where Leone was not ....)

But the book is fascinating . Leone reveals himself to his practice of cinema, his childhood and training, intuitive or conceptual genesis of his films, although it is probably even harder to unravel truths and lies.

Leone joined Orson Welles in the way it builds and tells its own legend, that of a genuine creator of forms of cinema.
Leone was also the assistant for a day of Welles in Rome, and longer than Emile Couzinet at its studios in Bordeaux sponsorships strangely different and less well known that that of Vittorio De Sica.

The book loop on the evocation of the opening of apocalyptic Leningrad, the last project ever shot of Sergio Leone: A colossal cinema back to origins, and one where Steve Reeves Rory Calhoun to come after the fury of the earth and the harsh elements ( The Last Days of Pompeii , The Colossus of Rhodes .)


Leone died April 30, 1989. France Culture then the good idea to run some time after all the recordings made by Christmas Simsolo.


Les Cahiers du Cinema, who in their time, written by Sylvie Pierre, in 1968, had been interested in Leone, reissued in paperback in 1999 Conversation Sergio Leone. So without "s" you can still get .


Conversations with Sergio Leone Christmas Simsolo, Stock Theatre, 1987.

Conversation with Sergio Leone Christmas Simsolo, Cahiers du Cinema, 1999 (reprint).