Cervix High Dry Soft Before Period

prehistoric archaeological documentation of the excavation to the collection

Day Wednesday, March 30, 2011, Department of Prehistory National Museum of Natural History at the Institute of Human Paleontology

Workshop Interdisciplinary Research Program "Think, organize, administer" (program coordinated by the Institute of Communication Sciences of the CNRS).

Coordinator of the study day: Arnaud Hurel
Project leaders: Bertrand Delamotte Daugeron & Eric





The Department of Prehistory Museum of Natural History, the Foundation Institute human paleontology Prince Albert I of Monaco and the Interdisciplinary Program Research Thinking, Classify, Manage, invite you to a workshop, March 30, 2011, on "The prehistoric archaeological record, from excavation to the collection."
This workshop will be held at the Institute of Human Paleontology, 1 rue Panhard, 75013 Paris (M ° Saint-Marcel).

Advance registration is online at Blog

Workshop Program, from 9:30 to 17:00

Introduction: Arnaud Hurel (MNHN)

1. Archaeological objects situ ? Or the dilemma of the excavator. Roland Nespoulet (MNHN) Lawrence Chiotti (MNHN)

2. The management of a collection, study of drawers. Claire Gaillard (MNHN), Stephanie Renault (MNHN collections ed.), Rachel Orliac (MNHN collections ed.)

3. The specific problems of human fossil remains (preservation, virtual collections, refunds). Amelie Vialet Foundation (HPI)

4. Reconsider a holotype: collections to be searched. Thomas Ingicco (MNHN)

5. Provide a place to prehistory in the future Museum of Man. Prof. Francis Sémah (MNHN)

Catapult Design And Blueprints

Quidam "Cursed be the heart that had the heart, cursed be the blood that has paid the blood" Yes


Seen yesterday a remarkable Richard III, that of David Gauchard at MAC Créteil . You can do the same until February 5, lucky ...

Richard III speaks to power, darkness of tyranny. The language of Shakespeare translated by André Markowicz carries violence and emotion. Vincent Mourlon is a Richard III who lugs around his nerves and his arrogance on stage with a cheeky through magnetic assisted by two other reflections of the tyrant Arm (actor-singer) and Olivier Mellano (who wrote the music everywhere entertainers) embody the complexity of this bloodthirsty manipulator.

actors are fair and precious, the device - which might seem at first glance, technically complex - far from giving in the bidding gadget, anchor in a Shakespearean history this raw. The room was full of young people, yesterday, you know, some of them called savages. If at the beginning of the representation, we could hear them asking: "But wait, what is the" wrath "? "After a few minutes of immersion in the staging of David Gauchard, the meaning becomes obvious, the story came alive before their eyes.

Ah yes, in fact, a friend of Paris, Créteil, it's just after line 8, five minutes from the metro - and it offers you a shuttle to return to the Bastille ...
{S ' stop at the terminus Creteil - Prefecture "access to the mall right by the exit of the subway, cross the mall and out from gate 25 (near Carrefour) onto Place Salvador Allende. The theater is at the end of the square.}


Richard III / director David Gauchard / The one-legged


Richard III by William Shakespeare:
Translated by André Markowicz - production & staging Gauchard David - music creation Olivier Mellano.
With Vincent Mourlon, Arm, Olivier Mellano, Melissa Struck, Emmanuelle Hiron, Nicolas Petisoff + ten players on the screen.
Guitar Olivier Mellano, text & rap Arm (Psykick Lyrikah), David Moreau video, special effects, Robert Le Magnifique, Christopher Light Rouffy, Klaus Loehmann's, Josette Rocheron costumes, scenery Christophe Delaugeas, Mégabo construction, administration Ménasché Pierre, Production and Dissemination Agathe Jeanneau, production The one-legged, co-National Festival Bellac, the Cloister Theater / Bellac regulated theater, Theatre of the Union / National Dramatic Center of Limousin Theatre de la Renaissance / Oullins - Grand Lyon, the country of Morlaix Theatre, Theatre Jean Lurcat / national scene Aubusson, Grand Logis / Bruz, Castle Red / Annemasse, Centre Culturel Jean-Pierre Fabrègue / St Yrieix perch, Support Area of the Lock / The Underground, Scenery constructed MEGABO Workshop.

Does Dark Brown Mucus Discharge Mean

I told you, eh, a number of times since 2005: communicating vessels (+ = Laureli - RLR, for example) and not want to give the systematic or coercion - we both live ...

Boxing Calisthenics Routine

Moving F/15 - Denise Ogilvie

Move / rearrange: Back on the logic of classification of records with the example of the series F15 "Hospices and rescue"


A trial run, images of a research problem between
storage and classification presented Oct. 25.






Moving programmed much of the funds of the nineteenth century helps to allocate resources in material and human resources. On this occasion, the questioning of modes of entry and rankings sets of documents that constitute the series needed to plan and carry out the necessary refurbishment. Indeed, in the example of the series F15 "Hospices and rescue, packaging equipment was inadequate. The bundles were packed at the time of disbursement and then repackaged few decades later in cartons greatly undersized. What makes the consultation documents problematic. The documents are huddled in their possession, they resume their actual size during their consultation, once removed. Their consultation has changed their physical form so that the box that contained no longer usable.
The 4000 cards had to be replaced. It was therefore necessary to compile a list of size formats suitable for various sizes boxes of documents previously approved.
To establish these lists, it was necessary to identify types of documentaries to establish a number of standardized sizes of boxes that can fit the whole document. For that, I made non-random surveys. These surveys led me to explore systematically. For that, I opened the cartons guided by observation subsets described by the inventory. This series of concrete observations between cartons inventories and to produce a typology of documentary formats allowed me to identify the difficulties of interpreting literature.
Both the experience of physical reconditioning and enrichment of the inventory have allowed me to come back with another look at the questions that had already arisen from a reading of the inventory. Within apparently coherent sets, I could measure the likelihood of gaps and rearrangements. In other words I had to face the lack of information on conditions of production of the records and their transmission conditions to test the mismatch between the content descriptions of groups of items and discontinuity of the fund. These operations
material led me to wonder not only about the size of the boxes but also on the class logic and description logics in the context of a revision of the inventory. Because the question of classification and storage space is not transparent. The inventory is the result of incremental steps now saving information on criteria become invisible. These estates are not always inclusive.

The only contention of this short film is to explore a means of communication and information is the video light. For this we use a camcorder Pocket public. The interest is to document our land, exposing them to better reflect.

Itchy Legs After Pedicure

Synthesis midterm

The situation

In a round of institutional collections around the scientists and their practices mirror, two day workshops have already taken place. Science bundles National Archives and National Museum of Natural History in October and Sort / Ranger: dialectic of order and disorder in the scientific collections s National Museum of Archaeology. Three more are coming in the first half of 2011.

This initial step and prerequisite for any larger project allows us to formulate our questions about the role of collections and archives in scientific work. We recall here the ins and outs. This action plan summarizes the actions of everyone. His ambition is just align our thinking for an action plan.

The removal and redevelopment past and future (ATP, Museum of Man, National Archives, Herbarium, Paleontology, MAN) note that deposits are fragile and collections more. While their story is not entirely written, that their operation is still ongoing, organization and integrity of archives and artifacts are challenged at the risk of upsetting a fragile balance. Indeed, funds and collections do not accumulate, but are integrated through a process of "layering" dynamic. We must here remember that any scientific collection has its own history. Since a collection is a set that comes into contact with each of its components (the parts themselves, documentation, collectors, strategy of "gathering", etc..) Grasp the logic of storage and organization since its origin constitution is part of his understanding, so its use. Skip production conditions Historic Collections denies the specificity Collection and erase some of its scientific interest. This ignorance, often due to lack of resources, or practice and the development of the same collection, jeopardizes the full use of the fund collection. That is what, ultimately obscures and confuses the reading of the internal systems of collection, the false diagnoses on the relevance of their organization and sometimes leads to sweeping reforms. What to do in broad strokes a story collections over the past two centuries, we can only note that if a museum has, it can also destroy.

General approach:

1. Clarifying the relationship of research work with the funds and collections.

This is question the practice of setting up and operating collections and archives, to the extent they are material to think with and through them. How scientific work is organized with the collections and archives? There is often a lack of reflexivity and a deletion of the material dimension of work that contributes to scientific production, however we will try to fill.

Objectification of our respective practices related to collections and archives can switch from a registry of procedures (know-how) to register declarative (telling). In speaking, the discourse is constructed in this way, the experience becomes knowledge in enabling it into words. Thus, in explaining the implicit, our experiments set speeches are exchanged through these exchanges and retrace our steps. To this end, the video tool described in our actions that call a second time to comment and expose them to our working group.

2. Enter which falls in the funds and collections.

Literally "dissect", drawing on concrete examples, how organized stages of processing equipment and intellectual reserves of funds and collections, based on (or not) of work TODAY 'hui but also the very history of the collections.

• Explore the tension between classifying and storing on multiple grounds (archive, library, science museum)
• Addressing the disjunction between archives and collections

- > This is to reconstruct an administration of things, practices and actions raised in the classification logic and materiality / physical aspects of storage.

For this, we must examine the "intermediaries" that define the key between systems and Ranger Sort:

• Indexing collections of funds and inventory, file, directory, catalog, label
• Supports hardware: cabinet, window, drawer, box, bay, bin, carton, bundle, file
• Provide an overview of the scientific and cultural redevelopment of major scientific and historical collections from the National Archives, MNHN, the MAN, the HPI and possibly the Museum of Man.

From these initial questions about the collections, funding and research, we would have appraised systems (some already existing) that would connect in a kind of "meta-network" data we produce all and that overlapping, help restore meaning (or the original meaning) to the various "collections" whatever their respective natures.

One goal would be in a future yet to be determined to build a relational database, locating in time and space people and objects. This meta-tool in the form of a geographic information system, and historical prosopographic meet our needs identification in the current state of tools remain unanswered. We would have to draw it in the context of a multiyear research project of type ANR.

Comments are open and expected.

Does A Hernia Make Ur Testicles Hurt

(1987).

If a book is to know about Sergio Leone, this is it.

Simsolo Christmas is one of the first serious critics to look at the work of Italian westerner in a now famous article in The Journal of Cinema Image and Sound , No. 275 of September 1973. My Name is Nobody, whose shooting ends only, is now in post production.

Leone landmark article Simsolo and the two men become friends, even weave of family relationships. Sergio Leone loves Paris and often drags chip market, as he explains on French television.

Conversations with Sergio Leone comes from a series of interviews current recorded 1986-1987 (?), and released by Film Stock in June 1987. We now know that Sergio Leone tells a lot of tall tales to his interlocutor (illegal exit and summer A Fistful of Dollars operated in fact quite normal, after the censorship 01/09/1964 at SuperCinéma Florence; self-attribution of some of the best sequences My Name is Nobody , created by Tonino Valerii, New Mexico, where Leone was not ....)

But the book is fascinating . Leone reveals himself to his practice of cinema, his childhood and training, intuitive or conceptual genesis of his films, although it is probably even harder to unravel truths and lies.

Leone joined Orson Welles in the way it builds and tells its own legend, that of a genuine creator of forms of cinema.

Leone was also the assistant for a day of Welles in Rome, and longer than Emile Couzinet at its studios in Bordeaux sponsorships strangely different and less well known that that of Vittorio De Sica.

The book loop on the evocation of the opening of apocalyptic Leningrad, the last project ever shot of Sergio Leone: A colossal cinema back to origins, and one where Steve Reeves Rory Calhoun to come after the fury of the earth and the harsh elements ( The Last Days of Pompeii , The Colossus of Rhodes .)

Leone died April 30, 1989. France Culture then the good idea to run some time after all the recordings made by Christmas Simsolo.

Les Cahiers du Cinema, who in their time, written by Sylvie Pierre, in 1968, had been interested in Leone, reissued in paperback in 1999 Conversation Sergio Leone. So without "s" you can still get .

Conversations with Sergio Leone Christmas Simsolo, Stock Theatre, 1987.

Conversation with Sergio Leone Christmas Simsolo, Cahiers du Cinema, 1999 (reprint).

Can Red Wine Cause Dark Stools

Collections naturalists between science and empires (1793-1804) - Bertrand Daugeron

An example interrogation of scientific collections in their dynamic order and disorder at the base of the Interdisciplinary Research Program "Think, organize, administer."
In 1797, natural history excludes objects made by humans to keep only the objects of the three kingdoms of Nature. After the failure of a museum of antiquities, the first French collections of objects of "wild" being lost or at best forgotten for nearly a century.
This book reproduces in time and space, instead given then refused to ethnographic objects in the second half of the eighteenth century, when the Museum became the Museum of all Elsewhere.
What has happened to these things "exotic"? Why were they moved? How have they gone? Collected, reported, classified, they take their place in a space where they make sense. To try to answer them, this book reconsiders own collections naturalistic universe: the objects of the "wild" but also the objects of Nature. As "rank" is primarily a technique based on the collections. The natural history with and think through its collections. The natural history of revolutionizing the museum. The "methodical order" which succeeds the "curious" given classification logic and storage hardware via the "Matrices". However, objects can not be reduced to mere scientific materials. As historical documents, they are the product of political conditions. In questioning the circumstances of the collection of objects to the museum grounds, a political dimension emerges previously erased.

Collections naturalists between science and empires (1793-1804)

View more documents from pcacollections .

What To Eat To Avoid Leg Pain And Numbness

Historical presentation of the National Herbarium for 1793 - Denis Lamy

Suite bundles Science Workshop with contributions from Denis Lamy linking the history of botanical collections of the history of classifications.

Historical presentation of the National Herbarium since 1793 - Denis Lamy

View more presentations from pcacollections .

Chelsea Charms 2010 .

TWO VENUS BOOKS OF SPAIN. MINNESOTA CLAY

2010 ended with a bang for the original publications on the spaghetti western .

Two books published in Spain can take stock of an unknown part of the genre: the actual role of filmmakers, technicians, English actors who created and anticipated, in many ways, what posterity attributed solely to Italian cinema.

Juan Gabriel Garcia, a journalist with La Voz de Almeria , daily local and regional memory, already author of a biography of laid most famous Almeria, El Habichuela publish a collection of interviews with rich and varied filmmakers, actors, and what is much rarer, technicians unknown image, frame, decoration, production : the commissioner to the script.

Joaquin Romero Walk, Eugenio Martin, Eduardo Fajardo, Simon Andreu, not to mention the most famous, the tone of what was the invention of a genre, Iberian side. An overall contribution unparalleled and indispensable now on this side too often unknown to the spaghetti western.

Juan Gabriel Garcia Los Espanoles del Western , Editorial Circulo Rojo, 2010, (Foreword by Enzo G. Castellari).

The ambition of the author of Western English, Pedro Guttierez ReCache, is very large. It intends to demonstrate that English filmmakers, long before the Italian Leone, have created a genre well codified and authentic precursor of business development and aesthetics of western Europe.

tightly packed 400 pages sourced and fully identify all that is creative business and industry: the conditions of production, filming, from birth and use of scenery, tour operating through the tortuous paths of censorship Franco.

ReCache deftly draws on period documents, consulting, among others, the magazine Fotogramas and interviews with past glories or sidekick time: Fernando Sancho, Antonio Molino Rojo, Lex Barker, Giuliano Gemma, Hugo Fregonese and even ... Clint Eastwood, in an amazing interview in April 1964, done at Madrid, where the actor, then unknown in Spain, says running a co-production began in Italy 15 days earlier, along with a beautiful German actress, on behalf of uncertain Marianne Kock o Cook "(Marianne Koch), without even mentioning the name the director ... Sergio Leone.

The article is reproduced and then we discover the face of the unnamed man, photographed supermodel between two planes of A Fistful of Dollars , relaxed in a beautiful designer stubble, necessary the shooting, but elegant shirt collar wide open.

foreword by Carlos Aguilar the book devotes a long section Joaquin Romero Walk, this major filmmaker and inventor forgotten by the history of cinema in many shapes Scope Colors that leave to posterity the western Mediterranean .

It's so rare to find a new reading of some kind , we would highly advise purchasing this book, even to Hispanic unsophisticated, given the quality and the novelty of the information that we can peck or eat there.

Pedro Gutierrez ReCache, English Western El Cine del Oeste como subgénero espanol (1954-1965), Generalitat Valenciana, 2010, (Preface by Carlos Aguilar).

Vsepr Structure Of H2se

at Gaumont, DVD, January 2010

Gaumont, the firm at Daisy, moved, on demand, the DVD edition pressed securities deemed unprofitable commercially in the traditional market operations video. The master copies are used BETAMAX, the best possible quality restoration done nonetheless.

After fifty films released in October and November 2010, the collection grows by 5 new releases monthly.

The Western by Sergio Corbucci, conducted in fall 1964, Clay Minnesota, operated by Gaumont in France under the title The Avenger Minnesota, is among the first batch, January 2011, scheduled to sale the 20th of the month.

If Minnesota Clay enjoys worldwide already have DVD editions suitable, that is great news to finally get here the French version.

The latest edition dated, Italian, published by 01 Distribution in the disappointing collection Titanus Wild West (movies too often unframed) is the correct format, 1.66, but the pretty colors of the film is uneven, unsteady.

Hats off to Gaumont surprise for this edition, as requested by many fans, among other beautiful outputs from a rich and varied catalog, which will delight film buffs. Each film is subtitled in French for the hearing impaired.

Gaumont offers the public to express their wishes editorials by email Next:

gaumont.alademande @ gaumont.fr

All requests must be accompanied by a name and a physical address, and made for a movie from the catalog Gaumont updated:

http://www.gaumont.fr/fr/films./html

Gaumont press or not press the title, depending on the number of requests received (thirty suffice).

Taste of violence , Robert Hossein, 1961, is contained in Catalog Gaumont. This is the opportune time to finally see this released on DVD proto Western European , now very rare.

Minnesota Clay , story of a gunslinger reaches gradually blindness, followed by another long-awaited release in France, another story of gunslinger blind, Blind Man , Ferdinando Baldi, 1971, logically in February 2011 in Wild Side.

Excellent year 2011 to all .