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Matamoros No. 29, Act 2

And now, ladies & gentlemen ... the cover!


By Marion Pannier, therefore . Something very iconic, obviously, connoted sixties, with a nice Patator to kill people with potatoes - any explanation, read Matamore No. 29 - and a pretty blonde could be Polish and that could play tennis - any explanation, read Matamore No. 29 .

You just have to wait so wisely on 1 September. I know it will be difficult and I support you in this ordeal. Good news for you wait: Alain Farah came to Paris ten days in Paris in October. Plays, signatures and cocktails in perspective. I'll let you know.

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Matamoros No. 29, Act I




"From the inside of a horse made by me, attack me for myself, by surprise. "

Alain Farah Matamoros No. 29



September 1, in Laurel, fate Matamoros No. 29 Alain Farah. This book was published in 2008 Quartanier , excellent publisher of Eric Larochellière, Quebec - I explained our affinities Quartanier / Laurel in a previous post . Few, including myself, had managed to get it and discovered that writing and incredibly indomitable - not to reuse the word "stubborn", which I abuse - abundant, generous, where the floor alongside a miller - short and light - analysis Ulysses of Joyce, the head shot of Zizou, Flaubert's correspondence, the "Patator" - description "Patator" p. 27 Matamore , September 1 - became a weapon for the perfect crime, the rules of tennis structure the story, the dark-is constantly pushed leg blonde Polish endless moments of friendship, eternity.

Speaking of friendship among the characters in the novel, there are also Braichet Thomas, in his Paris period Workshop place Dalida - it does perhaps mean nothing to you, but for us it means a lot, here.

We are in the proofreading / corrections with Alain. This Matamore No. 29 will be slightly different from Matamore No. 29 of 2008. Because Alain chose to amend his text, but also because we decided to adapt some terms specific to French to French Quebec here. It's subtle and it is an absolutely fascinating for me to fathom the language and its uses, discover historical snapshots as in the large province, traces of forgotten heritage in France. And especially, as always, the dialogue that takes place and with the author, who is, therefore, proliferate its Matamore .


The model has already begun on XPress, with a font Minion, a beautiful Old Face, which also has the advantage of having many variations in display, black, bold, semi-bold, italics, SC (c ' is to say, small cap.) ... very useful for text, as you will see. I first eyed the melting Kennedy, of course - since the president appears in the text ... - but it has no plasticity Minion, alas. So I temper my delusions Cratylian this time ...

I also spent a lil shot Prolexis, especially, of course, to eliminate problems of bad typographical spaces ... Because, as you can see in the image illustrating the few lines - and it always makes me laugh stupidly, blindness software - Prolexis remained somewhat confused by the vocabulary used.

Presentation and coverage coming soon: it Pannier Marion - who had already made for Laurel hedges Ida or delirium Helen Bessette and Spent Raymond Federman - working on it ... which

Photo © Alain Farah F. Duchesne.

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Red and slap his back

You've already said all the good we thought the magazine click Red here - leaving the number 0. And as Christmas can happen in the spring, well now, we are in the summary of a number - published last March - and we're glad to have had an excuse to revisit The Party and spend a few weekends back at the problem in every sense: how the heck to write a text from a film such sublimity? (I know, O series writers who read these lines, it could also be a problem for you ... And I answered: "Hey, you worry, you'll get there, I trust ... I n 't have less awareness, I can assure you ...)


I chose to review the film as a purely choreographic phrases to rehear Hrundi V. Bakshi slightly as he speaks, word by word, with a intense musical load. I'm not sure this is really noticeable in my "Sugar Me" ... But anyway, that's a key.


You also read in this issue of texts: Didier da Silva, Bertrand Schefer, Valerie Mréjen, Alessandro Mercuri, Claro, Laure Becdelièvre Daniel Cabanis, Joseph Moncure March, Calet Henry David Bosc, Jean-François Magre, Eric Pessan, Alain Giorgetti, William Bopp - listed in order of appearance - and will discover Abdelkader Benchamma drawings and photographs of Philip Lebruman. All for 6.50 euros, admit that it is a gift.


The other good news of this note is that evening presentation of this issue will take place tomorrow, Wednesday, May 19 , bookstore Le Comptoir words, 239 rue des Pyrenees in the twentieth arrondissement, Paris (metro Gambetta), with 20 hours . You can download the flyer here . And most importantly, you stingy over the counter.

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Onomatopée

The onomatopoeia are part of common language in Japan. In France they are used only in spoken language (eg: And it's been Chocapic bam!) Or when one considers that we must communicate information to the kids or on in the comics. In Japan, these are onomatopoeic sounds to describe a manga but not that they are also used to describe feelings, movements, physical states or psychological, adding nuances as an orientation of positive or negative. The use of onomatopoeia can feel (and understand) the direct statement about this obscure more than a technical term ...

I loved in the comic when he used Tarquin directly related to action verbs as qu'onomatopée, the character digs and one hears (reads) "hollow shell", he furiously a backstab opponent and you hear (read) "seedling plantation."

The reasoning is simple-and they make fun of my mouth if I took to say "I Glagla" on Instead of "I'm cold", but this method is super convenient figure of speech to describe easily a whole bunch of stuff.

's a short list (that of an unknown word j'updaterai falls into my eyes or ears) of onomatopoeia "routine" that have nothing to do with the sound effects for film whose budget cuts have resulted in a thank you from the sound engineer.


びしょびしょ: bishobisho: Tempered

ぞくぞく: zokuzoku: shudder

prickly: chikuchiku: douleur piquante

rattled: gatagata: objet lourd frappé ou secoué

want loud: gangan itai: avoir mal violemment

want throbbing: zukizuki itai: avoir mal profondément (super utile à l'hosto au passage)

Cett conversation est parfaitement normale au Japon:

La même en France:

hurt: hirihiri: irrité (la peau)

a puppet hesitation: iraira (suru): s'énerver ( mouais, bien contenu l'énervement quand même)

whispers: hisohiso: à mi-voix

smile: nikoniko: souriant (le chat dans Alice, il est souriant nekoneko haha ... uh nikoniko)

にやにや: niyaniya: Laughter (sneaky, like hin hin hin our)

にたにた: nitanita: Laughter (sneaky)

げらげら: GERAG: laugh (fat) in One Piece Frog laughs by gerogero buhahaha and giants, but a good distance from the subject.

どきどき を する: dokidoki (wo suru): doing "boomboom" have the kind heart that beats

だぶだぶ: dabudabu: large (for clothing) is also the sound of a baby for several months but it has no connection.

ちょこちょこ: chokochoko: someone who moves fast or faster with small steps

ざあざあ: ZAAZAA: heavy rain

ばたばた: Batabat: image of someone who short or left so loudly

ごろごろ: gorogoro: a heavy object that rolls (and nothing to do with the crater)

そわそわ: sowasowa: anxious, waiting for something (anything that breathes noisily)

うきうき: Ukiuk: it transpires that the kawai, that means yay on my inside, I could go to cuddling hungry bears.

びく びく: bikubiku: fearful (note Bikur short it means to be afraid / be surprised but one imagines that even when bikubiku could approximate the frightened cry of the pokemon)

かさかさ: kasakasa: dry skin

つるつる: tsurutsu: there's all smooth

ぴかぴか: pikapika: nan nothing to do with the pokemon is shiny / blinking your eyes and listen to your eyes after watching a flash at least 10cm or set a Christmas wreath for 10 minutes, they make the same noise.

muddled: dorodoro: boueux / pateux

sticky: betabeta: collant

break even: tonton: frappe légère (je tapote mes doigts sur la table)

fast: dondon : frappe lourde (je tape mes poings sur ta porte)

murmuring: sarasara: un truc qui glisse (main dans les cheveux, ski dans la neige ...)

rough: zarazara: otherwise, not smooth, like crumpled paper

きらきら: Kirakira: glitter, stars like diamonds, bright eyes

ぎらぎら: Giraffe: the same light, but that stings, like the sun in the mouth


fun you find others in the French or Japanese